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1
Chukhung
Biosphere
07:34
2
Numb
Andy Stott
06:30
3
Melancholia III
William Basinski
01:54
4
Clearing
Grouper
04:41
5
Dry In The Rain
Carla dal Forno
03:27
6
Sent
inc. no world
03:33
7
Any Other Way
Tomberlin
03:22
8
It's Love
Woo
03:06
9
Limerence
Yves Tumor
05:29
10
Fugaces
Arca
03:07
11
The Word Love - Original Mix
Gigi Masin
08:57
12
Hapless Gatherer
Lawrence English
04:47
13
Vow
Julianna Barwick
04:39
14
Daysaver
Casi Cada Minuto
07:23
15
Very Contrary Mary
Dennis Farnon, Marni Nixon
03:36
16
Vaporware 01
Donato Dozzy
05:49
17
The Soul Quietens
Roy Montgomery
03:08
18
God Hour
Babyfather, Micachu
02:35
19
Our Last Night Together
Arthur Russell
03:27
20
The Narcissist
Dean Blunt, Inga Copeland
04:06
21
Starwood Choker
Bing & Ruth
06:16
22
Eden - 1997 Remaster
Talk Talk
06:34
23
A Sea Of Love
Huerco S.
07:17
24
Grief Point
Destroyer, Loscil
08:40

In the Same Room

Imagine a room in an unknown city. The sounds of the city are muffled and distant. Time stands still.

Imagine a room in an unknown city. You are lying on the bed with someone. The window is open, the curtains flutter softly in the air. Occasionally, you hear the sounds of the city, muffled and distant. Time often seems to slow down, with a feeling of detachment increased by overwhelming heat or the biting cold. Both of you silently share this moment. The songs that play one after another create a dialogue in the absence of yours. You know each other just enough to not feel embarrassed by the silence, but too little to express yourselves over the top of the music.

This playlist aims to translate that feeling. Biosphère’s “Chukhung” is the introduction: it contains all the characteristics of all the following songs: an ambient and airy touch, but with a muffled rhythm as well as notes that evoke distant activity. Andy Stott’s “Numb” adds tension to the fold. Various songs like “Melancholia III”, “Limerence”, “The World Of Love” and “Daysaver” bring back the idea of time standing still. The same goes for Huerco S’ “Sea of ​​Love”, which echoes movement in the distance. For the tracks that include any vocals (Grouper’s “Clearing” and Tomberlin’s “Any Other Way”), their use is subtle and shows a certain restraint. Others, although minimalist at first glance, offer a much stronger and theatrical expression (“Eden” and “Fugaces”). On the contrary, “Vow” or “Very Contrary Mary” represent fleeting and ethereal moments. Lastly, Destroyer’s “Grief Point” is the monologue that ends this lost-in-time moment, bringing the listener fully back into the present.

In the end all that remains is a floating memory of those moments, that you’re unsure were happy or melancholic.

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