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I Love Acid
Luke Vibert
04:19
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Plock
Plone
03:57
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You Said You Want Me
The Other People Place
04:23
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Seeing Red
Red Snapper feat. Alison David
04:51
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Time To Blow (feat. Terry Hall)
Leila
03:07
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Ping Pong
Antipop Consortium
02:42
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Testone
Sweet Exorcist
07:14
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Smokebelch I
The Sabres Of Paradise
07:40
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Reach For The Dead
Boards of Canada
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As Link
Seefeel
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Autechre
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Clark
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Arpeggio
Jackson And His Computer Band
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Power of Persuasion
Oneohtrix Point Never
03:28
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Give It Your Choir - A cappella
Mark Pritchard, Bibio
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Ancestors
Gonjasufi
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Echo's Answer
Broadcast
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IZ-US
Aphex Twin
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Intuition
LoneLady
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Table Tennis
Flying Lotus, Laura Darlington
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What Is House (LFO Remix)
LFO
04:26
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Licking An Orchid
Yves Tumor, James K
04:38
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Goooo
TNGHT, Lunice, Hudson Mohawke
03:21
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A Case Of Funk
Nightmares On Wax
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Problem Child
Squarepusher
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The Black Dog
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Mfaus
Plaid
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Township Funk (DJ Nonsense Mix)
Dj Mujava
05:15
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I Turn My Face To The Forest Floor
Gravenhurst
03:52
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Take Ecstasy With Me
!!!
07:41

Warp, indé et stylé

The independent label born in 1989 in Sheffield accompanied the electronic music revolution, becoming synonymous with Intelligent Dance Music, before gradually opening up to more hybrid styles in the 2000's, with as much foresight as ever.

To look at the history of the Warp label is to relive a fascinating human adventure, to understand a whole part of the electronic music of these last thirty years, and to witness its overflow on the whole of the current production.

Everything starts in the North of England at the end of the 80s. In the city of Sheffield, which already gave birth to avant-garde synthesizer pioneers such as Cabaret Voltaire or The Human League, Steve Beckett and Rob Mitchell ran the record store Fon Records. Excited by the rave movement and the second Summer of Love in 1989, they added a label to their store, which eventually disappeared, leaving only Warp Records.

His first releases are impregnated with the house music of the moment but already try to move away from the dancefloor and the rave while remaining imbued with electronic matter. In 1990, they hit their first success with the single LFO from the duo of the same name. 

Allergic to the principle of industrialization in records, Steve and Rob gradually garnered legitimacy on the techno scene and linked up with radical artists, whose creativity thumbed its nose at the commercial criteria of the majors. In exchange, Rob and Steve committed to giving them full power and protecting their stylistic freedom. Since 1994, Warp has become a prescriptive brand, offering only the best, with a singular visual universe that cultivates mystery, thanks to the work of Designer Republics' graphic designers or the young video artist Chris Cunningham, whose clips sting both the eyes and the ears.

In the early 2000's, Rob was taken by illness. The label moved to London to better anticipate the changes in music. He understood that he would no longer have the exclusivity of electronic music and that its influence would spill over to other styles, the production techniques of Warp artists becoming examples for rap and pop. With varying degrees of success, and sometimes delay, the label opened up to folk, pop, rap, rock and soul. In 2004, it created the music download service Bleep to distribute its catalog directly.

It’s necessary to wait until the year 2010 for it to bloom with all the superb new names it currently holds under its wings, from Flying Lotus to Lonelady through Gonjasufi, Oneohtrix Point Never, Hudson Mohwake... 30 years ago Warp embarked in an identified madness as it now still embarks in the most total unknown. And this is the most beautiful quality that we can expect from an independent label today.

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